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A studio site is judged in the first two seconds, and then it has to survive the person who scrolls. Cortile is built full bleed — the photographs run to both edges of the window, the sections carry their own ground, and the page keeps moving as you read: images drift against each other as they cross, headings rise from behind a mask, a band of the studio's disciplines runs across the width. None of it comes from an animation library; it is one shared frame loop that stops when the element leaves the screen, and it holds still for anyone who has asked their system to stop animations. Behind it is a small CMS, not a set of hard-coded pages. Works carry a place, a year, a kind, a status, an area and a client, plus a gallery whose images each have their own caption and can be marked wide. The journal, the people, the capabilities and the phases of the studio's process are all records. The one loud sentence on the home page is a field on the studio, so whoever installs this replaces it like any other — nothing about the practice is written into the code. **The studio inbox** is where the template stops being a brochure. The practice writes down what it takes on and what it does not — kind of work, place, budget floor, lead time, and the exclusions — and every enquiry that arrives is read against exactly those criteria. The assistant returns a verdict, the questions still missing, and a drafted reply. It declines work outside the stated exclusions and says which criterion it failed; when an enquiry is a fit but something conflicts — a client who wants autumn against a practice booked nine months out — it raises the conflict in the draft instead of promising the date.

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